How to compose chords and melodies for Botanica | awe sound transcript

Hi, in this [music] video, we'll take a look at how O creates his chords and melodies for Botanica. The standard reference pitch in music is typically 440 hertz. Although artists like O may give the impression [music] of using different tunings, this effect is usually due to timbre, detuning, and sound design. Small changes in the reference pitch can influence perception. Higher values, such as 444 hertz, may sound brighter or more tense, while lower values, such as 415 hertz, [music] may sound warmer or softer.

However, these qualities are not determined solely by pitch. In practice, any reference frequency can be used. To make it easier to understand, imagine [music] a piano note with a line down the middle representing its exact pitch. In standard [music] tuning, all notes are aligned to a reference where A4 equals 440 hertz. If you move that line [music] slightly without leaving the note, you're subtly changing its pitch without changing the note itself. >> [music] [music] >> In these chords, [music] I have noticed frequent use of suspended notes.

These chords avoid a clear major or minor key, which helps create a more open and ambiguous sound. Furthermore, it tends to simplify chord structures by eliminating notes that do not significantly affect the character of the harmony. For example, in an F#sus4, the fifth can be omitted while the root is doubled, which reinforces the tonal center. Additionally, it often uses inversions, [music] which helps avoid a static root position and creates a more fluid voice leading between [music] chords. >> [music] [music] >> These chords are not built as traditional triads, [music] but as open voicings that prioritize texture over functional harmony.

The third is often omitted, >> [music] >> removing a clear major or minor identity and creating an ambiguous, suspended sound. Instead of relying on complete chord [music] structures, the voicings focus on essential tones, often doubling the root while omitting less defining notes like the fifth. The notes are also widely spaced across different registers, [music] which enhances clarity and gives each layer its own space in the mix.

Rather than moving as block chords, individual [music] voices shift gradually, creating smooth transitions and a more organic harmonic [music] flow. To create melodies, [music] he often uses arpeggiated patterns, employing the notes of a chord to create movement. He also incorporates [music] additional notes outside the main chord, which adds subtle variations and nuances. >> [music] >> While this approach may seem simple, subtle variations in voicing, >> [music] >> timing, and added tones can completely transform the result. >> [music] [music] >> What really helps when developing this kind of style is a solid understanding [music] of music theory.

It allows you to make intentional choices with harmony, voicing, >> [music] >> and melody, rather than relying on trial and error. If you'd like to explore this further, I've made two videos covering the fundamentals of music theory [music] that I recommend checking out. And if there's another artist you'd like me to analyze, feel free to leave it in the comments. Thanks for watching.