Getting the transcript
Reading the captions from YouTube. A video nobody has opened here before takes 10 to 30 seconds; this page fills in on its own.
Getting the transcript
Reading the captions from YouTube. A video nobody has opened here before takes 10 to 30 seconds; this page fills in on its own.

The School of Life · @theschooloflifetv
Where viewers went back to watch this video again, from YouTube's public Most replayed graph, lined up with what was said at that moment.
Most replayed moment #1
2:112.5x the video's typical replay level
had no choice. Had we remained at ease around sincere connection, we would have been devastated by dad's rages or mom's sarcasm, the favoritism shown to our sister, or our brother's illness. Our nausea is an understandable panic at having to surrender the suspicion and
Said at 2:05
Most replayed moment #2
2:062.5x the video's typical replay level
we made a refusal to rely on others a central feature of our characters. We had no choice. Had we remained at ease around sincere connection, we would have been devastated by dad's rages or mom's sarcasm, the favoritism shown to our sister, or our brother's illness.
Said at 1:59
Most replayed moment #3
3:481.9x the video's typical replay level
this. Too often, the blame for the fear gets attached to the person who is more, if only marginally, scared than the other. They then have to carry the weight for both of them. They get labeled the evasive one, while the other gets to bask in a private glory of being
Said at 3:41
The graph counts replays. It does not show where viewers stopped watching.
Words
772
Runtime
4:28
Speaking pace
173wpm
Reading time
3min
173 words per minute, between the 160 25th percentile and the 181 median of 349 measured videos. That distribution comes from the 349-video hook study.
Opening (first 30 seconds)
It is a permanently extremely curious idea that love, the thing we think we crave and miss so much when we're alone, might frighten us. That we operate, all of us to some degree, with a fear of engulfment. We might have met them a month ago, perhaps four or five. We went in at high speed, bored of the usual compromise and cowardice. We quickly exchanged I love yous and may even have mentioned marriage. But now they're fully on board, the barriers are completely down
87 words, the words spoken in the first 30 seconds at 173 words per minute.
Free, no signup. See how the first 30 seconds hold attention, with rewrites.
Sentence shape
| Measure | This transcript |
|---|---|
| Sentences | 59 |
| Average words per sentence | 13.1 |
| Longest sentence | 33 words |
| Questions asked | 1 |
| Sentences containing a number | 0 |
Most used terms
Filler phrases
3 in total: like 2 · sort of 1.
A literal whole-word count of the same phrase list the Prepublish browser extension uses, so a phrase inside another word is not counted and a phrase used in its ordinary sense still is. It is a count and not a judgement.
Free, no account. See where attention is likely to drop, with a rewrite for each weak line. The free check shows the scores and the one issue costing the most. Or run it on the words above first.
Free · No login · See a sample audit first if you prefer.
What this transcript is
Every word below is the caption track YouTube publishes for this video, pulled from the video itself and reproduced unchanged. It is not Prepublish's writing, not a summary, and not a re-transcription: it is the video's own published captions. English captions, generated automatically by YouTube, in the video’s original language. Source: the video on YouTube. A channel that would rather this page did not exist can ask for its removal through the contact page, and it is removed.
It is a permanently extremely curious idea that love, the thing we think we crave and miss so much when we're alone, might frighten us. That we operate, all of us to some degree, with a fear of engulfment. We might have met them a month ago, perhaps four or five. We went in at high speed, bored of the usual compromise and cowardice. We quickly exchanged I love yous and may even have mentioned marriage. But now they're fully on board, the barriers are completely down and we, much to our embarrassment, are feeling unusual.
The fear doesn't manifest itself as fear, exactly. We're a mixture of numb, nauseous and frightened, all without apparent cause. Someone is in the background trying to feed us something of uncommon sweetness and we are queasy. They brought flowers last night. Whenever the phone pings, we hope it might be someone else. The nickname they have for us, once so welcome, now feels like a burden or demand. We've told all our friends and booked a holiday next month, but we deep down want, to our profound embarrassment, to run away.
Not for the first time, we wish there were a service that could, no questions asked, teleport us to a new life on a different planet. The difficulty lies in how impossible our message to them is. We would ideally like them to love us a bit less in order that we be able to return their feelings. We wish they could be a little more distracted, a little busier, a bit less responsive. Could they be somewhat meaner? We need, as a first step, to understand what is at play.
Almost always, it's a question of our childhoods. This is a logical panic, given where we've come from. In order to survive, we once had to put up a very high wall between ourselves and anyone who might come close. We might be quite funny and charming. We might sincerely crave company, and yet we made a refusal to rely on others a central feature of our characters. We had no choice. Had we remained at ease around sincere connection, we would have been devastated by dad's rages or mom's sarcasm, the favoritism shown to our sister, or our brother's illness.
Our nausea is an understandable panic at having to surrender the suspicion and independence that got us through life until now, at having to give up the paranoia that helped us to survive. There is the option of fleeing and starting again. We might pick on something halfway believable to legitimate an ending. They were too serious. They looked a bit wrong. They didn't share our tastes in music or their friends sided with the wrong political factions.
We might spontaneously feel their eyes are too close together, or their forehead is too high. We can take up many decades on this sort of rigmarole. But more interesting would be to grip the fear of engulfment and try to tame it. We need to start by finding a way, however halting, to discuss what's going on. I don't hate you. I'm just a bit strange. Love, when it's returned, feels alarming. People can understand a lot once they're given a chance.
We need some practical steps, too. Every night together won't be a good idea. Space becomes important. Not sharing a bed is fine. We can carefully explain our choices. This isn't about not loving, it's about our fear of dissolving. We're doing this not because we don't care, but because caring a lot is bound up with a terror of losing our capacity to survive alone. It helps if, as is almost always the case, there are in fact two people who are frightened of this.
Too often, the blame for the fear gets attached to the person who is more, if only marginally, scared than the other. They then have to carry the weight for both of them. They get labeled the evasive one, while the other gets to bask in a private glory of being unceasingly up for love. We need to strive to be fair. This is both of our problems. Finally, as so often, we need to laugh at the absurdity. A rich redemptive laughter that helps to bind us.
We want them so much we don't want them anymore. We're trying to love and we're scared of love. We're in the here and now and we're small children with pasts we can barely remember that make us do things we don't understand. This is a matter for a hug, a confession, and a very dark laugh.
The words are the caption track's own and nothing is reworded or re-transcribed. Paragraph breaks are placed between sentences so the text reads as prose.
Free tools for your own script: paste a draft and see where it stands before you record it.
Paste your draft and see where viewers are likely to drop off, with a rewrite for each weak line.
Paste the first 30 seconds of your own draft for a hook score and rewrites.
Check your draft against YouTube's advertiser-friendly guidelines before you record it.
Read this channel's public videos and transcripts, and download a writing brief for it.